Artist Bio
NYCU_Architectural Informatics Lab:

June-Hao Hou

Current Positions
Associate Dean (2025~), College of Artificial Intelligence, National Yang Ming Chiao Tung University (NYCU).
Associate Professor (2021~), Institute of Architecture, NYCU.

Education
Doctor of Design (2007) & Master of Design Studies (1999), Graduate School of Design, Harvard University.
Master of Arts (1994), National Chiao Tung University.
Undergraduate Studies in Applied Mathematics (1988-1992), National Chiao Tung University.

Academic Experiences
2017-2023, Director, Institute of Architecture, NCTU & NYCU.
2016-2021, Associate Professor, Institute of Architecture, NCTU.
2007-2014, Assistant Professor, Institute of Architecture, NCTU.
2003-2007, Lecture, Institute of Architecture, NCTU.

Chen-An Lee

Chen-An Lee is a artist whose practice since 2012 integrates computer programming, digital manufacturing, and interactive systems as creative media. His work explores how digital technology expands the boundaries of perception, seeking intersections between the complex beauty of virtual environments and the physical world.

​Lee has been invited to speak at major academic and professional institutions, and his works have been exhibited at Taipei Fine Arts Museum, MoCA Taipei, Hsinchu Art Museum, National Taiwan Museum of Fine Arts, Kaohsiung Museum of Fine Arts, Taiwan Digital Art Center, among others.

​Currently teaches at the Institute of Architecture, National Yang Ming Chiao Tung University, the Department of Architecture. He is the author of GH Python Computer-Aided Geometric Design, a book introducing programming for algorithmic geometric generation and creative design.

Po-Ching Chou

Po-Ching Chou’s practice centers on kinetic installation, exploring the relationships between perception, frequency, and collective experience through the integration of light, sound, and movement.

Rather than treating sound as music, he approaches it as a physical and perceptual phenomenon—one that exists in the form of frequency, vibration, and temporal residue. In his works, sound is often not presented directly, but perceived through the traces left by movement, light, and mechanical systems in operation. These elements interact with visual and spatial conditions to generate a sense of vitality that resembles an organic, living system.

Collective emotion, techno-nature, and perceptual consciousness are recurring themes in his practice. Through a gentle and restrained narrative approach, his works transform private experiences into shared, perceptible states, allowing individual sensations to resonate within a collective field.