Thank you for your submission to CURRENTS 2022.
If your name, or the name of your group, is listed below, you have been invited to participate in CURRENTS 2022. Congratulations! The title of the piece, or pieces, selected is listed next to your name.
The selection process is a complex equation made up of exhibition design, finances, logistics, and an overall vision for this year’s festival. If you haven’t been selected for CURRENTS 2022 it does not reflect on the quality or value of your work. The 2023 call will be sent in August 2022 with a deadline in early October. We look forward to seeing more of your work then.
If you have been selected please respond with an email acknowledging that you are aware of the determination and that you agree to participate. If possible, please include your cell phone number in the email.
Click here to send an email or send your email to email@example.com .
We will be contacting you over the next couple of weeks with more info, to talk about logistics and to send you an artists agreement.
(This is a private list for artists who submitted to the 2022 Call and not a public announcement. Only the name of the submitting artist is included in the list below. Names of collaborators will be listed on our website and in future promotions.)
Adrian Leverkuhn Light Touch
Alejandro Borsani La Isla de Vidrio (The Glass Island)
Anan Yoon Lee Stick Bugged Speedrun
Andrea Polli The GLOW (Growing Life on Other Worlds) Pod
Andrew Frueh Kendrick + Gilbert
Anne Spalter Sky Ship
Ash Garwood Alter
Avital Meshi Face it!
Billie Mitchell Period of Revolution (.)
Brad Gallagher Rumpus Room For Dancers
Bun Stout One Fate Stupid
Carlisle / Hamilton Untitled
Cezar Mocan Arcadia Inc.
Colin Ives Garden in the Machine
Cyane Tornatzky Duets
Dante Biss-Grayson Digital Sprit Dancer
Davida Singer deluge rio grande + who is the blue voice?
Emma Forgues Mesocosm + Pero sans Cimon
Emmett Palaima Modular Triptych: Great Wurm
Grace Grothaus Sun Eaters
Heather Warren-Crow Information + There is Something in Good Men That Really
Yearns for Discipline
Hedwige Jacobs Personal Space
Hope Strickland if I could name you myself (I would hold you forever)
Hsin-I LIN [ Khun-giân ] ：The Third Voice
Ian Gibbins The Life We Live Is Not Life Itself
Johan Fredrik Källman Luxtriplicata
Joseph Farbrook Higher Faster Stronger
Judy K Suh Impression, Seasons
Karl Munstedt Encryptid
Kenzie Housego An Artistic Exploration of Contemporary Online Courtship + Wearables
Kirsten Angerbauer Pink Noise, 23hz
Laura Splan Syndemic Sublime
Leonardo Madriz Letters to Home, Pt. 1
Luke Bern Carr Staircase
Lyra Mancini Mirror Mirror
Primordial Dismemberment Sadovnik
Marco Buongiorno Nardelli Requiem – Between a Barrel and a Hearth
Margaret Thompson Brilliant Universe
Maryam Khaleghiyazdi Speaking Blanket
Masha Vlasova Her Type
Matthew Schoen Assemblages
Maximillian La Rocco Moving Pictures Gallery
Mollye Bendell Outgrown
Omar Lavalle CLOSE _ perspective #1
Owen Lowery Song of Slime
Pablo-Martín Córdoba Substance
Paula Gaetano Adi A Robocalyptic Manifesto: Techno-Politics for Liberation
Reilly Donoavan Machine Blooms
Ruben Olguin Acequia Madre
Ryan Robson Gypsum + Skipping Stones
Samuel St-aubin Prosperity II + The Spaghetti Machine
Sarah Pucill Eye Cut
Sarah Trad Clench My Fists
Sebastian Morales Cumulus
Seph Li 相/Phase
Seylon Stills Laki’s Birds
Shane Coffing Synchrony
Shomit Barua Degrees of Granularity
Susanne Dietz Gazes from Beyond the Grave
Theo Krantz Subliminal Excercise
Tirtza Even 2nd Person
Tivon Rice Models for Environmental Literacy
Tristen Ives Double Whammy
Yoon Chung Han Roads in You
Young-min Choi Cloud Mirror + Chordal Distance
Zuyva Sevilla Xeros