CURRENTS 2027

June 11-20, 2027

Submission Guidelines 2025

Submissions for CURRENTS 2025 Art & Technology Festival
+
3 Separate Exhibitions

Are Now Open

Festival Dates: June 13 – 22, 2025 / Santa Fe, New Mexico, USA
Exhibition Dates: TBD / 3 smaller exhibitions will take place in 2025

Submission Deadline: November 4, 2024


We are trying something new this year. In addition to the festival, we will be presenting three separate, smaller exhibitions throughout 2025, each focusing on one or two modalities of art and technology: Sound Environments/Installations, Artist/AI Collaborations, Virtual/Augmented/Mixed Reality Environments, and Robotics/Kinetic/Electro-Mechanical Objects and Installations.

This submission process allows you to submit work in these categories for either the festival, the exhibitions, or both.



  • All applicants must submit the online submission form.
  • Please read these guidelines before filling out the form.
  • Notification Date 1: February 1, 2025
  • Notification Date 2: March 15, 2025
  • See individual categories for notification date


This Year’s Categories include:

  • Installations (interactive and non-interactive)
  • Sound Environments/Installations
  • Virtual/Augmented/Mixed Reality Environments
  • Artist/AI Collaborations
  • Robotics/Kinetic/Electro-Mechanical Objects and Installations
  • Multimedia Performance
  • Digitally Generated or Fabricated Objects
  • Wearables
  • Outdoor Installations and Projections
  • Experimental Single Channel Video/Experimental Documentaries/Animation

Submission Fees

Multiple submissions are welcome in one or more categories. You must submit a new form and submit the fee for each submission.

All Categories: $25 for a single and $20 each for multiple submissions.

Submission Form Instructions

Work Samples

  • Documentation of work samples must be viewable online (personal website, YouTube, Vimeo, Dropbox, etc)
  • uploaded hi-res photos and video still captures should be no larger than 3MB .jpg only
  • We will accept works in progress if you are able to submit samples that demonstrate a strong body of work

Follow these steps to fill out the Submission Form:

  • Fill out the general information at the top of the Form.
  • Select the Category in which you wish to submit your work. Each Category has a separate set of questions.
  • Once you have selected the Category you can fill out the remainder of the Form. For the Sound Environment, Virtual/Augmented/Mixed Reality, and Artist/AI Collaboration Categories select your submission option.
  • Select Yes or No to the multiple submissions’ question. This will determine your fee – $25/single, $20 each/multiple.
  • Submit the Form.
  • Once you have submitted the form and paid your fee you will receive an email notification with a copy of the form you submitted.
  • You are welcome to submit multiple entries in one or more categories. You must submit a new form and submit the fee separately for each entry.
  • If you wish to enter another submission return to the this page or the Submissions Form page.

Questions about the CURRENTS application? contact

We look forward to viewing your work!


Submission Categories


Installations

Work in this category can be non-interactive or interactive, and may include multi-channel video and sound work. It may also include the digital element solely in the fabrication process. Single Channel Video is a separate category. See Below

Artists in this category may be eligible for travel, lodging, shipping and equipment support.

  • Due to the already high and escalating cost and risks of international shipping we may not be able to support this expense for international artists. We are willing to work with you to secure funding in your own country or through your cultural attaché in the US. We may be able to supply needed equipment.

Notification date 1: February 1, 2025

Go to the Submission Form  HERE
Sound Environments / Installations

Artists in this category may be eligible for travel, lodging, shipping and equipment support.

  • Due to the already high and escalating cost and risks of international shipping we may not be able to support this expense for international artists. We are willing to work with you to secure funding in your own country or through your cultural attaché in the US. We may be able to supply needed equipment.

Notification date 1: February 1, 2025

Go to the Submission Form  HERE


Virtual, Augmented, and Mixed Reality Environments – as a tool for art making

Artists in this category may be eligible for travel, lodging, shipping and equipment support.

  • Due to the already high and escalating cost and risks of international shipping we may not be able to support this expense for international artists. We are willing to work with you to secure funding in your own country or through your cultural attaché in the US. We may be able to supply needed equipment.

Notification date 1: February 1, 2025

Go to the Submission Form  HERE


Artist / AI Collaboration – 2D and 3D Work or Environments – as a tool for art making

Artists in this category may be eligible for travel, lodging, shipping and equipment support.

  • Due to the already high and escalating cost and risks of international shipping we may not be able to support this expense for international artists. We are willing to work with you to secure funding in your own country or through your cultural attaché in the US. We may be able to supply needed equipment.

Notification date 1: February 1, 2025

Go to the Submission Form  HERE


Robotics / Kinetic / Electro-Mechanical Objects and Installations – as a tool for art making

The submission may or may not contain digital components.

Artists in this category may be eligible for travel, lodging, shipping and equipment support.

  • Due to the already high and escalating cost and risks of international shipping we may not be able to support this expense for international artists. We are willing to work with you to secure funding in your own country or through your cultural attaché in the US. We may be able to supply needed equipment.

Notification date 1: February 1, 2025

Go to the Submission Form  HERE


Multimedia Performance

We are principally interested in in-person but will consider live-stream performances.

Artists in this category are eligible for travel, lodging, shipping and equipment support.

  • Due to the already high and escalating cost and risks of international shipping we may not be able to support this expense for international artists. We are willing to work with you to secure funding in your own country or through your cultural attaché in the US. We may be able to supply needed equipment.
Notification date 1: February 1, 2025

Go to the Submission Form  HERE
Digitally Generated or Fabricated Objects – as a tool for art making.

  • Due to the already high and escalating cost and risks of international shipping we may not be able to support this expense for international artists. We are willing to work with you to secure funding in your own country or through your cultural attaché in the US. We may be able to supply needed equipment.

Notification date 2: February 1, 2025

Go to the Submission Form HERE
Wearables

We are looking for any design or invention that can be worn by a human being. It can be 3D printed, interactive, digitally enhanced, but must contain a digital component in its production or final presentation.

Artists in this category may be eligible for travel, lodging, shipping and equipment support.

  • Due to the already high and escalating cost and risks of international shipping we may not be able to support this expense for international artists. We are willing to work with you to secure funding in your own country or through your cultural attaché in the US. We may be able to supply needed equipment.

Notification date 1: February 1, 2025

Go to the Submission Form HERE

Outdoor Installations and Projections

Work in this category can include Video, Video Mapping, and Installations and can be either interactive or not.

Artists in this category may be eligible for travel, lodging, shipping and equipment support.

  • Due to the already high and escalating cost and risks of international shipping we may not be able to support this expense for international artists. We are willing to work with you to secure funding in your own country or through your cultural attaché in the US. We may be able to supply needed equipment.

Notification date 1: February 1, 2025

Go to the Submission Form  HERE


Experimental Single Channel Video, Experimental Documentary, and Animation Submissions must be 12 minutes or less in length.

Please submit multi-channel video installations under the Installation category.

Notification date 2: March 15, 2025

Go to the Submission Form  HERE