The video consists of footage shot on vehicles from the past five years. To avoid the lockdown, it had resulted in more frequent movements. These minutiae of moving moments are amplified, given a rhythm that is natural to the medium of video. This medium extracts, repeats, cuts, interrupts, reassembles, and stitches; an exploration of seeing the pattern of mobility. A see-through partition in the center of the area serves as the projection surface for the video, while allowing spectators to stand facing one another. Enabling the exterior and interior (inside and the outside) to be formed and for the potential of capture as well.