CODE AND NOISE / BETH_BOXED4
Presented as part of the CODE and NOISE Exhibition. Curated by Christine Duval.
Imagine a painting whose appearance shifts continuously over time, so much so that millions of years would have to pass before for your first glimpse of it returned. This may sound, to some, like a gimmick, but I assure you it's not. The San Francisco based engineer/artist Clive McCarthy has achieved it. McCarthy's grounding in art history is as solid as the algorithms that control his "paintings". His works, projected on small flat-panel screens, randomly recompose before your eyes. Each is derived from thousands of photographs that neither reveal their identity as such nor recall photorealism. They serially dissolve and reconstitute with periodic screen "wipes," as if Hans Hofmann had applied a lethargic version of the "Ken Burns effect" to post Impressionist paintings. Works like these show that the much-hyped fusion of science and art is finally starting to bear fruit.
David Roth, art critic, April 2014