As one continuous work, the group's performance "TOTEM" integrates three, overlapping works instruments, based on, “The Pipe”--a robotic instrument that produces sound mechanically.
JF Laporte ‘s “Jonah and the Whale”, references the sonic world in which Jonas (represented by the robotic instrument) would have plunged into once he was swallowed by the whale.
M. Seta ‘s “Touch & Flurry“ is a comprovisation, in which twin Pipes are played by an innovative controller called Intonaspacio.
Z. Settel’s “Air Jam” combines a saxophonist and pneumatic sound emitting robots in a palpable sound mass, pulling and pushing the player, who carves the music.